via: http://www.huffingtonpost.com/2012/04/11/hug-coke-machine_n_1418383.html?ref=tw
Sunday, April 15, 2012
Hug Me.
via: http://www.huffingtonpost.com/2012/04/11/hug-coke-machine_n_1418383.html?ref=tw
Tuesday, January 31, 2012
Wednesday, May 18, 2011
Hebdos Québec.
Hebdos Québec (Director's Cut) from soulgrafix on Vimeo.
http://www.behance.net/gallery/Hebdos-Qubec/890150
Monday, April 25, 2011
Saturday, April 23, 2011
Sunday, October 10, 2010
Sunday, September 12, 2010
Best Business Cards.
This business card design was created by Wes Thomas. The laser-cut business card transforms into a cute desktop toy. Who wouldn’t want a business card toy for their desk?
Designer Sam Gough of RDA, created a handful of “carved” wooden business cards! Not sure how it was done but the result is amazing! (The kind of card you would only give out to your most beloved clients)
Hows about this for a sweet business card idea! Using sachets as business cards is the brilliant concept of the Israeli arm of ad agency superweights, BBDO (Gitam BBDO). Each condiment represents a different department. Supercool (and practical)!
This very green and eco friendly business card looks great! This terrific hand-made card was made by Micha Kaufman, co founder of Fivver. They are created using a rubber stamp , an address label, and a bit of corrugated card he found!! Cool!
This business card in the shape of a clapper board was designed by Ralev.com for a multimedia agency called Feelme Crew. It’s a really creative way to make a more interactive business card (not that hard to do something like this yourself!)
Fantastic design by Arran Peterson. I’ve always loved the black gloss on black matt effect.http://overnightprints.com/blog/best_business_cards/?adt=369400&cid=369400&utm_campaign=369400&utm_source=newsletter&utm_medium=email
Monday, July 19, 2010
Sunday, July 18, 2010
Swing on the Subway.
After 9-11, that sick, sinking feeling many weary commuters experienced stepping onto a crowded NYC subway car was magnified by the MTA’s stentorian banner campaign, “If You See Something, Say Something.” Artist Caroline Woolard has found a delightful way to strip away the defensive layers of suspicion and dread that can accompany a subterranean commute, replacing default anxiety with spontaneous joy by crafting a backpack that transforms easily into a swing! Using 1000 mesh “L-train grey” cordura, webbing, sliders, hooks, velcro, and snaps, Woolard’s “bag swing” is fitted with sturdy straps that hook easily around the handrail of the subway:
Much of Woolard’s creative output seems to revolve around the idea that we should all strive to come into the moment, moving actively through the world rather than shuffling absently through it. Her emphasis on exploring pedestrian space and “cultivating everyday magic” in an urban environment encourages viewers (and participants) to reexamine their relationships with the overwhelmingly massive, immovable urban architecture they live in. What is the relationship between play and revolution? Creating fissures in reality opens up the possibility for change: change in the everyday/monotonous routine, change in assumptions about ‘facts’, change in the world in general. The act of “making strange” allows a new perspective for reassessment and critique. Nothing is fixed and anyone can make the environment around them better.
Says Woolard: “I hope that the innocent amusement of swinging on the subway eclipses the current atmosphere of insulation and suspicion.”http://coilhouse.net/2008/12/playful-revolution-caroline-woolards-subway-swing
This is awesome, haha.
Tuesday, January 12, 2010
Monday, January 4, 2010
Cloud House Thing.
Monday, May 11, 2009
Wednesday, April 15, 2009
Thursday, May 29, 2008
Sunday, January 20, 2008
Wreck this journal;
"the point of this project is not to make a pretty picture/image. though sometimes this will happen without you planning it. while there are absolutely no rules to this, what i’m suggesting is that you enter into every page as an experiment of sorts. To participate in an experiment means that you have no idea what will happen in the process. Empty you head of all thoughts of a final product. Think only of the material you have in your hand. Try different textures. Pretend you have never seen your journal before. Pretend you have no idea how a book works. Try pushing the idea of what a book is."
http://wreckthisjournal.com
Tuesday, January 15, 2008
Wednesday, January 9, 2008
100 ideas;

a work in progress.
[http://www.kerismith.com/funstuff/100ideas.htm]
Monday, January 7, 2008
Friday, January 4, 2008
Keri Smith;
1. Document what you are responding to regularly. *journal/sketchbook, blog, listmaking, photo journal, bulletin board collage, internet bookmarks, Allow yourself to go deeper into an idea. Find influence outside of your field. Consider that you are ALWAYS working for yourself.
2. Start to challenge yourself on a regular basis to try new things, (not just for work. *i.e. new foods, colors, processes, classes, travel, become a guerilla artist, etc. Your hobbies are your greatest source of play.)
3. Go back to your childhood, (the formative years). What were your favourite things to do? In this lies some clues as to where you want to focus your energy as an adult. What makes you burst with energy?
4. Do something that is not for money. For your own enjoyment. (Your greatest work will come from here!)
*examples…
-newsletter
-zine
-website
-x-mas card
-product concept
-toys
-gifts for friends.
Design for yourself. *See handout on guerilla art.
5. Use sources that are based on your daily life. Your life IS your art. What are the things that are most important in your current life?
6. Become a collector. Collecting allows us to look at one thing in a contemplative & mindful way. Giving you new insights and perceptions. Examples: Maria Kalman -purse contents, Steven Guarnaccia -shoe sole
rubbings, Ian Phillips & Grant Heaps -Lost & Found pet posters, Mark Ulriksen (former art director) -misspellings of his name, Charles & Rae Eames -toys from other countries
7. "Pay no attention to the man behind that curtain." Ignore what other people are doing. It has no bearing on your existence or vision of the world. The times we feel the most discouraged are usually due to the fact we are comparing ourselves to others. Most times reading awards annuals, and industry mags only serves to make us feel inadequate. Try cutting it out entirely. Designer Bruce Mau recommends not entering awards competitions. His reasoning, “Just don’t do it, it’s not good for you.”
8. Don't promote to target your audience. By all means send things out into the world, but don't think in terms of "promoting to get work". Send stuff out because -you're proud of it, -you want to share something with the world, -it's fun to get mail, -to have good karma, -you want to spread your germs, -you like licking stamps. Try sending a postcard of something you made for fun, (i.e. directions on how to make a finger puppet). When thinking of subject matter for promotions look to your current life. If you deal with topics that are important to you a piece will have much more life to it.
9. Take a lighthearted approach (Don't take yourself too seriously). If you feel stuck, you can always reinvent yourself, (re: try something else).
10. Study other artists or creators who followed their own vision. Research.
[http://www.kerismith.com/blog/archives/2004_05.html]











